Review: In Stoppard’s ‘Leopoldstadt,’ a Memorial to a Lost World
The Viennese Jewish family at the heart of this new Broadway production thinks it is too assimilated to be in danger when the Nazis arrive. They are wrong. In November 1938, in Vienna, life chez Merz — the reciting of books, the games of cat’s cradle, the polished renditions of Haydn at the piano — proceeds with only brief interruptions despite the nearby sounds of broken glass. But then comes the rap at the door. The pianist, Hanna (Colleen Litchfield), goes to answer it and hastily returns. “Trouble,” she hisses. With that one word, the hinge of history swings open upon the abyss.
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